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Cécile Mézéray was a French soprano active in France and Belgium in the mid nineteenth century. Born around 1859, she was one of the daughters of the musician Charles Mézeray (né Costard, born in Brunswick in 1810 and sometime conductor of the Grand Théâtre de Bordeaux). Her sisters Caroline and Reine were also professional singers.〔Fétis F-J. ''Biographie universelle des musiciens'', supplement, vol. 1, pp. 254–255. Paris, 1878.〕 As well as singing Cécile also played the harp.〔Noel E and Stoullig E. ''Les Annales du Théâtre et de la Musique, 3eme édition, 1877.'' G Charpentier et Cie, Paris, 1878, 220-221.〕 ==Life and career== At the age of 18 Mézéray appeared with the Théâtre Lyrique at the Théâtre de la Gaîté (rue Papin) as Rosine in the ''Barber of Seville'' in April 1877 and later that season as Violetta Tiepolo in ''Bravo'' by Salvayre.〔 Mézéray made her Paris Opéra-Comique debut on 27 May 1878 as Isabelle in ''Le Pré aux clercs'', having spent the previous winter season in Lyon. A good actress and musician, her salary at that time was 3,000 francs per month.〔Noel E and Stoullig E. ''Les Annales du Théâtre et de la Musique, 4ème édition, 1878.'' G Charpentier et Cie, Paris, 1879, 133.〕 Later in 1878 she sang Marie in a revival of ''La Fille du régiment''. In 1881 she sang Angèle in ''Le Domino noir'',〔Noel E and Stoullig E. ''Les Annales du Théâtre et de la Musique, 7ème édition, 1881.'' G Charpentier et Cie, Paris, 1882, 104.〕 and the title role in ''Haydée'' in 1882.〔Noel E and Stoullig E. ''Les Annales du Théâtre et de la Musique, 8ème édition, 1882.'' G Charpentier et Cie, Paris, 1883, p127.〕 She was billed at the Théâtre de la Monnaie in ''Jean de Nivelle'' during the 1882-83 season and appeared during the 1885-86 season as Catherine de Médicis in the premiere of ''Saint-Mégrin'', when she was praised for her “impeccable talent”.〔 Isnardon J. ''Le Théâtre De La Monnaie Depuis Sa Fondation Jusqu'a Nos Jours''. Schott Frères, Brussels, 1890.〕 She sang Rosine in the 100th performance of ''Le Barbier de Séville'' at the Opéra-Comique on 25 February 1887, alongside Louis Delaquerrière as Almaviva and Gabriel Soulacroix as Figaro, and Philine in the 500th performance of Mignon in 1878.〔Wolff S. ''Un demi-siècle d'Opéra-Comique (1900-1950).'' André Bonne, Paris, 1953.〕 Other roles with the company included Cherubino in 1882, the Queen of the Night in 1883, and Camille in ''Zampa'' in 1883. She created a role in ''Dianora'' by Samiel Rousseau (1879), and sang Laurette in a revival of ''Richard Cœur de Lion'' in December 1880.〔Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893.〕 In the preparation for Chabrier's ''Le roi malgré lui'' Mézeray came into dispute with Carvalho over the importance of her role. A replacement was found (Merguillier) but in April 1887 she had returned to rehearsals and created the part of Alexina.〔Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999, p386.〕 Mézéray appeared as Catherine Glover in the first revival in Paris of ''La jolie fille de Perth'', on 3 November 1890 at the Éden-Théâtre.〔Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 16eme edition, 1890.'' G Charpentier et Cie, Paris, 1891.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Cécile Mézeray」の詳細全文を読む スポンサード リンク
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